Season Six, Episode One

Yo
Obviously, I need to apologise for not finishing my indepth analysis of season five.  The time ran away with me and... now it's season six.  Soz. 

Season Six come at me brah

I'm in the UK so had to stay up until 2am to watch the first episode of the new season live and obviously I'm watching it again at 9pm as I write this.  Every week, I will endeavour to live tweet along as I watch (go follow me at @noneedtomoan) and then attempt to write up said tweets into a coherent blog post.

Now, like many of you, my season six experience began with leaked images of episode one.  I told myself that they couldn't be true and it was all a cruel prank but, alas, they were accurate.  It did help ease the shock of it all but the anger has still not subsided.  I honestly don't know if I'm going to make it through.  Let's do this together.

Anyway.  Episode one.  Here we go.
I watched nervously as we opened on some beautiful scenic shots of the Wall and Jon's body and... It was good.  Oh, my.  I felt giddy with excitement when we even got to see Ghost (take that, CGI dragons!) and, to top it off, Ser Davos, huzzah! However, it then all started to get a bit... Boring?
Some other men of the Night's Watch, luckily all Jon supporters - could have been awkward, help carry Jon to a back room and they let a very red Melisandre in, in the hope that she'll strip for them or something.  In actuality, she only pops in to tell us that she didn't see it coming in her flames because that's helpful.
Immediate cut to Alliser Thorne, giving a speech about never disobeying an order and how "Loyalty is the foundation on which the nights watch is built"... Bit rich, there, Alliser, considering you just organised a coup to STAB A MAN. 

FYI, I'm back on Olly watch and there are three (count them, three!) separate reaction shots of Olly in this scene, who has clearly gone through puberty since Season Five and so appears to have aged about ten years in the ten minutes since stabbing Jon.  Great for the actor.  Looks kind of stupid for the show's continuity though.  Way to be selfish, guy who plays Olly.

Apologies.  Back to the pro-Jon group.  After a bit of arguing, Edd goes out to get the Wildlings and the rest of the men are left sulking about Jon's death and that. 

Solid dull start.

And it's off to Winterfell!  Ramsay is... mourning?  That can't be right.  He's being nice.  Like actually nice... Have they forgotten who -

"It's perfectly good meat.  Feed her to the dogs"

 

THERE HE IS.
Then, we hear a little speech from Roose whose voice, I think we can all agree, is just velvet <3 and Ramsay reassures him that his twenty good men are on the trail of Reek and Sansa.  Not to worry, Roose.  They always get the job done.

Cue Reek and Sansa legging it through the snow, wading through an ice cold river and hiding under a cosy tree (lol not really, it's freezing and they're going to die).  On a positive, though, Reek is looking really good.  Like, his hair's not white, he's got a bit of meat on his bones, he can speak in full, coherent sentences despite not having been allowed to say anything other that "yes sir" and "Reek, Reek, it rhymes with..." for months.  He's quite the little chatterbox.  Anyway, they only go and get bloody cornered by Ramsay's twenty six good men (+two hounds) and OMG they're definitely going to die!
SHIT THE BED it's #crouchingdirewolfhiddenBrienne and Pod the Incompetent because of course it is.  OF COURSE they know exactly where Sansa is.  OF COURSE they timed it perfectly to rescue them just before capture rather than intercepting the twenty good men sooner because #coincidences.  To be fair to her, the seven kingdoms are so teeny, Brienne can't help but stumble into Stark girls. 

Quick question: where did the last soldier go? 
Brienne killed three, Pod killed one, so did Theon... One is still alive during the next sweet bit of the scene.  AND the hounds just... got bored?  Ran off?  #continuity

Also, this whole Sansa constantly needing rescue is kind of pissing me off.  She's meant to be stronger than ever and yet she can't go five minutes without someone else finding her and taking her to safety?  Then there's a sweet little scene where Sansa knights Brienne, after getting the nod of apprvoal from Theon because girls can't make these decisions, right? 

Pfft.  Let's move on to some more nonsense.  Dornish sails are moving towards King's Landing and Cersei, with a nifty new haircut, thinks that she's about to be reunited with her daughter.  Instead, she's greeted by Jaime and a corpse and it's all pretty hilarious.  Cersei then proceeds to fall apart and cry about how Myrcella will be alone in the crypt... because the family crypt won't have Joffrey in?  Or Tywin?  Or Mama?  Anyway, the vibe between the two of them is all off and Jaime is acting like they're still in love which is freaking me out.  He should have already ignored her raven and conned the Blackfish out of Riverrun by now.  Gross.  STOP IT

Then we go to a break and, like some sick slap in the face, Stannis the actor formerly known as Stannis is advertising his new show.  Thanks, Sky Atlantic.

We're back and ooooh yeahhhh Shame Septa's showing us and Marg what she's made of before the High Sparrow comes in and RUINS IT.  Sigh.  I think stuff happens in this scene but tbh it was coming up to 2.30am and I wasn't coping well so let's just say nothing happened and move on.

Dorne.  Oh Christ on a bike.  Dorne.
Doran can walk!  Nothing ominous about this sudden display of strength!  He has a little chat with Ellaria about Oberyn and takes a seat before BAM Aero Hotah, the best fighter in all of the Seven Kingdoms, is taken out by a tiny woman with a butterfly knife a la Kickass 2. 

#mood

Then Ellaria stabs the single best actor this series has ever seen and destroys all of our hopes and dreams forever.

You know the most heartbreaking thing of all?  He's SO FUCKING GOOD in this scene. You could have had something so beautiful here, guys.  And you ruined it.

Ellaria says some nonsense about weak men that I think is meant to empower women but is really some bullshit attempt to appease feminists because #women, amirite?

Then, we cut to Trystane on a boat anchored outside King's Landing.

Why is he not allowed in the Red Keep?  Is he a prisoner?  He's allowed to make the eye stone things for Myrcella's funeral but isn't allowed on dry land?  Weird.
Oh, and weirder still, there are two Sand Snakes inexpicably on board.
Last we saw, they were watching the boats depart with Ellaria, just after she poisoned Myrcella sooo, what?  We're meant to believe that they just swam out and caught up to the boat?  Has Littlefinger been lending people his teleporter?  Whatever.  They kill Trystane.  Who cares?  This is just another decision that proves that D&D cannot think more than one season at a time.

"Shit, David, I don't think people are responding very well to Dorne"
"Hmm.  K.  Well, let's keep the Sand Snakes because they're the best bit and have them kill all the others.  Cool?"

So, now, because the Queenmaker plot is null and void and there isn't even a Quentyn, this is it for Dorne, right?  They're just left with Ellaria and the Sand Sankes? 

WHAT WAS THE POINT OF DORNE?

Let's just try and repress these many, many emotions for now as we're ff to Mereen!  And Tyrion and Varys, much hated in the city, wander the streets unarmed and unescorted.  After some fun frolics centering around the fact that Tyrion's Valyrian is awful (pretty sure he's fluent), they notice that there is new graffiti, written again in the Common Tongue, under the old graffiti, written in the Common Tongue.  Lucky, because Tyrion so shit at Valyrian.  This scene is pretty dull tbh.  I think it's meant to be comic relief but it's all too soon after Dorne </3
After wandering for a bit, there's a sudden bell, like the one Barristan heard when there was a Sons of Harpy attack (*sob*).  I'm not sure of the bell-ringing policy in Mereen but it is incredibly confusing and I'm not surprised the city's falling to pieces.  It turns out the bell's ringing because all of their ships are on fire.  I can only hope this is the start of the Euron storyline because I'm losing the will to live here.

Joy of joys, it's time for the wonderful adventures of the Daario Brothers.  Jorah and Daario are getting on like a house on fire and, weirdly, have managed to find the exact spot Dany was taken from IMMEDIATELY #detectiveskillz.  Jorah is just doing classic Jorah: one-upping Daario by recognising animal skulls (what every woman wants in a man, btw), checking his greyscale in public ('oop, still greyscale, still going to die') etc.
Anyway, they see this weird pattern on the ground, a circle of hoof marks, almost like someone was encircled by an army hoard.  Especially weird that these horses only left hoof marks when encircling someone and not on the run up.  Also, apparently Dothraki horses aren't actually alive because there is no horse dung to be found and I'm pretty sure there were HUNDREDS of horses.  So, Jorah's out there, minding his own business when his super duper x ray eyes spot THE CLUE that Dany left for them and honestly I'm so done with all of this shit it's unreal.
It's a teeny tiny ring.  He found it.  In long grass.  In the middle of the Dothraki sea.  UGH.

Cut to Dany, who's been captured by the politest, least-rape-y Dothraki in history.  I don't really understand but I think it's yet another small small world #coincidence that they've captured a Dothraki widow.  I was always under the impression that the Dothraki wanted to take her back to Vaes Dothrak to be with the Dosh Khaleen but apparently it was just a mistake. 

Dem Dothraki scenes... Zzz

Nice one. 

There's loads of Dothraki banter that is just so meh and Dany gets to introduce herself fully again because it's been like four episodes since she last did and we've all forgotten her full title.  That's probably why.
Whatever.  This scene, much like the High Sparrow one, went on a bit too long for me and it was taking everything in me not to scream WHERE IS EURON so it was just incredibly dull and I may have fallen asleep.  Again.  Sorry.

And now we get Arya, as Blind Beth, begging on the streets.  There is some PAINFUL background chatter about the Kingsguard knight and I definitely heard someone say 'he deserved it'.  Thankfully, the waif arrives and starts to fight Arya and, honestly, she should be ashamed of herself.  ARYA.  Who cares if you're blind?  Syrio taught you better than this.

 

 

 

"You used to be cool, Arya"

It's a shame that Arya is back to being a no-nothing, weepy little girl again.  Much like Sansa, her character progression is non-existent.  She erratically changes every episode.  So, yeah, Arya loses the fight but the waif says she'll be back tomorrow and it's all a bit reminiscient of Jaime and Ilyn Payne.  Not necessarily in a bad way. 

Most of the scenes are the same actually.  Not necessarily bad, but not good.  I don't think the writers have really got into the swing of pulling everything back together after a finale.  They go for a big shock (or two) but the subplots are devoid of humour, character, reality... Anything.

Anyway.  For the last time tonight...

Ahem.  Sorry.

The ladz are still just kicking it with Jon, who isn't really as fun as he used to be, when Alliser tries to get them to come out but they aren't having none of Alliser's nonsense and are all like "yeah, cool, bring us some mutton" but it's just a trick and they're not really going out, the absolute madmen! #classsicNightsWatch

Their hopes are all pinned on Edd facing down the rest of Castle Black to get the the Wildlings but Davos has another idea...
He reminds the group of the Red Woman  (OMGGGG THAT'S THE TITLE OF THE EPISODE) because he's apparently either forgotten about Shireen or just hasn't been told what happened yet.  It seems unlikely that Davos would've just accepted that Stannis isn't back yet but Mel is without further investigation but it's also probably not likely that he know she burned his favourite princess and is all "Mel's the greatest, let's get her to help".  I could do with some further explanation here.

No time for words though, because MEL'S BOOBS.  Then, as a surprise to everyone who didn't find the leaked pictures, she takes her choker off and whattttt it was a glamour and really she's dead old?

Questions:
1) This happens every time she takes her necklace off?

Even in this scene from Season Four?

2) She just sleeps as the old woman?  What happens if someone needs her in the night?  What if someone bursts in?  Is it really necessary to un-glamour every night?  Seems a huge risk.

Right.  I understand they didn't pursue the Rattleshirt/Mance/Ghost of Winterfell storyline (MISTAKE) so this is the perfect way to show that Mel can use glamours, just in time to help someone glamour as Jon, or even just as a way to show that she does have powers before she brings Jon back to life.  I get that and I accept it and the scene was done well.
However, this further proves my point that D&D do not plan out their storylines in advance and instead just meander from season to season, not thinking about the implications.  This has been shown by so many plotholes this episode alone: the disappearing Bolton soldier and dogs, Cersei bringing up the Maggy prophecy about her three children AGAIN when the show says she's had four children (see my post on S5E1 for more info), the teleportation of Sand Snakes onto Trystane's boat and now Melisandre's choker that doesn't necessarily have to be on ALL the time for the glamour to work.  Continuity is actually a thing.  I know I'm picky but they are making more and more 'little' mistakes that will build and build to be more noticeable by other people and, besides that, they stop the story from making sense.  Show Apologetics have to work REALLY hard to attempt to make any of this make sense.

So there we have it.  Season Six Episode One. 
Predictably awful.

High Points
Mel's young boobs
The visuals of the opening
The score of Reek and Sansa's running scene

Low Points
DORNE DORNE DORNE DORNE
(Let's not lie to ourselves, Dorne is very few people's favourite storyline but I cannot fathom why GRRM would include it if this was how it ended.  So we are not to have fire and blood?  I can't believe that.  I won't believe that.)
General plot holes that could be fixed if someone checked for continuity or just THOUGHT AHEAD

Score: 2/10
One point for each of Mel's young boobs.

See you next week if I haven't already lost my mind by then.

Episode 1 and I am already dangerously close to Audrina levels of done rn.

Season Five, Episode Four

Here we go again!
We open on a dark ocean scene and a nice little sailor with his nice little ship when, outta nowhere, JORAH PUNCH!  Jorah leaves money with the sailor and chucks a very realistic Tyrion dummy into the stolen boat.  Hilarious stuff.

Get used to these sort of reaction GIFs.  This episode is bizarre.

Suddenly, it's daytime and we're on a much larger boat.

#boats #smoothsegue
We are treated to a seriously cute moment.  Jaime sees Tarth and we get to see the real Jaime, not Game of Thrones' bastardised version.   He pines for Brienne and, I mean, just LOOK at him.
Perfection <3
Then, the episode heads in a downhill direction, steeply and rapidly.  We have to head back to the GoT storyline and see Bronn questioning Jaime about every decision he's ever made.  Jaime says they have to go rescue his niece and Bronn stares at him and is all eyebrow wiggly and replies, "your niece?"
The fuck, Bronn?  I mean, I know that Stannis put the rumour about the incest out there and Bronn has this kooky "I don't give a fuck" attitude towards the Lannister brothers but, seriously, this is a big leap for him to make.  Sigh.  W/e.  There's a long stare and Jaime says, "it has to be me" twice for emphasis, before claiming he'll split Tyrion in two if he ever sees him again.  Harsh.

Then, without any sign of a #smoothsegue, we're off to King's Landing and yet another small council meeting.  Cersei is discussing the crown's debt to the Iron Bank with Mace Tyrell, who is legit hilarious and making jokes about demanding the money the Tyrells would lend the crown back from his own daughter (maybe you had to be there but, trust me, it was funny).
Cersei refuses his kind offer of a loan because the Tyrells have "already given too much" and, instead, tells him to go to Braavos to "arrange better terms in person," which is an utterly genius move on her part if we're honest.
Cersei also spells out for the audience that it's Meryn Trant and not just any old Gold Cloak that has been tasked with escorting Mace to the Iron Bank.  Now, if I was cynical, I'd say Trant been wheeled out to remind us not only of his name (where have we heard that before this season, perhaps Arya's kill list?), who he was (the guy who killed Syrio Forel), and also, crucially, where he's heading.  He's only bloody going to Braavos, isn't he?  Exactly where Arya is!  NO WAY.  But, she wants revenge for Syrio, I hear you cry. *cough*   #foreshadowing

After a sterling joke from Mace, we cut to EVEN MORE Cersei because who else do we need to see, right?  She's meeting with the High Sparrow, who suggests she reinstate the Faith Militant and arm them, due to the horrific acts taking place in the Riverlands and the suffering of the small folk.
Oh, no, what actually happens is that Cersei suggests restoring the Faith Militant because -- well, it's not clear.  There doesn't seem to be any reason at all.  Honestly, what does she get in return for arming a bunch of mad extremists?  Nothing?  Now, in fairness, she starts talking about sinners and tells the High Sparrows, they have "a sinner" in their midst, "shielded by gold and priveledge."  Based on his reply, "may the Father judge him justly," you could argue that Cersei is organising to get her revenge on the Tyrells through Loras' arrest but... really?  That's it?

#mood

No acknowledgement of Tommen as the One True King to stop the fanatics from targeting the Lannisters?  No cancellation of the mountain of debt the crown owes the Faith?  Loras' arrest cannot be enough to justify arming a bunch of maniacs and handing your city over to them, surely?  Why change it to Cersei making the suggestion if she doesn't even get anything in return?

Why get Cersei to pull off the genius move of sending Mace to Braavos, then follow up with this utter nonsense?

Despite the sheer lack of logic, the deal continues with the High Sparrow, obviously, agreeing to it and we immediately cut to the Sparrows having all sorts of fun being the Faith Militant.  There's lots of jumpy camera shots of them destroying evil kegs of beer, getting forehead tattoos/engravings, pushing over those damn atheist tables etc etc.  People scream for help but knights turn their backs when begged for assistance.  Next on the Sparrows' list to destroy is the brothel - where they drag a prostitute off a man and seriously enjoy beating up all of the clientele, especially the gay ones.  Lots-of-jobs-Olyvar is there too, announcing, "this is Peter Baelish's establishment," but this doesn't stop the Sparrows wrecking the joint (tbf, if I found out somewhere belonged to Littlefinger, I'd destroy everything inside too).  Newly-branded Lancel then appears, leading the Sparrows to a sword fight which Loras is taken from because he has "broken the laws of gods and men."

#mood (continued)

Okay.  Okay.  Seriously.  I think the writers of this show need to do some research about Westeros.  First, Littlefinger's nonsense about Tyrion's marriage being null and void because it was never consummated and now this.  Yes, it's true that, in A Song of Ice and Fire, homosexuality is definitely considered "wrong" but there are no specific laws prohibiting it (at the very least, we're not privy to them) nor are there any secular laws in place in the faith of the seven.
All we know is that the religious frown upon it.  Lancel's comment to Loras and the earlier butchery of those at the brothel doesn't really have any basis in law, religion or logic.

Sigh.

Back to the episode, and all of this nonsense seems  to anger little Margaery (probs one of the only times I'll ever empathise with her) and she demands that Tommen frees Loras.  The idea that Margaery goes herself to get him out isn't even considered.  Why would it be?  The new Queen is beloved by the people, which may have even led to Loras being freed and we just couldn't have that, so, instead, Tommen goes to Cersei and asks her to free Loras.  She tells him that he is the King and so he has to ask.  This leads to Tommen going out into King's Landing to the sept to speak to the High Sparrow himself.

What I'm getting at here is that Cersei, you know, super paranoid Queen Mother, who has lost her eldest son and whose only daughter is in mortal danger in Dorne, Cersei who was told merely three episodes

More of my #mood

ago that she would see all three of her children die ("gold will be their shrouds" - Maggy, S5E1), Cersei who just gave away the city's safety to a bunch of religious zealots with weapons in order to distance the Tyrells from the capital because she's so scared that they'll endanger the Lannister's grip on the crown, CERSEI just let her last remaining son, the King, wander up to the sept and face off against the armed and dangerous Sparrows.  Yes, he has the Kingsguard there but are we to expect that the Cersei we know would really feel content that Tommen was safe?
Seriously?  Why would she risk so much?

She does all of this to what, get Loras to stay imprisoned?  To get one over on the Tyrells?  Putting her son in the line of fire, whether it's for revenge or not, doesn't sound right for Cersei but whatever you say, HBO.  You got this.
(Btw, in case you care, Tommen fails to even get a meeting with the High Sparrow because, duh, he's Tommen and all of this King's Landing nonsense was fifteen minutes of my life I'm never getting back again)

Anywho, the show must go on and go on it does, to the Wall!  (I kind of miss #smoothsegues in a weird little way)  Stannis and Selyse are talking and she's being super creepy about Shireen, using words like "weakness" and "deformity" and Melisandre overhears the ominous creepiness and decides to join in because that's her jam.  She announces that Shireen's "father's blood runs through her veins" and accompanies it with a long stare.  A looooooong stare. #Wallforeshadowing - back again!  Selyse runs off because her character has served her purpose for today's episode and Mel and Stannis are left to chat about his journey to Winterfell, leading him to ask her what she needs.  "I need to serve my Lord," is her reply, said whilst staring at Jon Snow.  Yet more #Wallforeshadowing - two in a row, in fact.  BOOM.

Cut to Jon (eurgh, I wish I'd never missed #smoothsegues - they're back and they're pretty gross), who is signing some important letters, begging for help from various families (with a hilarious moment when he has to swallow his pride and awkwardly ask the Boltons #awkwardcoztheykilledtheStarkslol) when Mel decides to pop in and whack her boobs out.

Boobs > Logic #allday

There's lots of life and death talk and some stuff about how Jon needs to stop fighting his powers and then another bit about them joining forces, making life and light and casting shadows...  It's all very hard to follow because boobs.

Jon refuses her advances because never trust free boobs he loved another (Ygritte, duh).  Then, of course, "you know nothing, Jon Snow," which doesn't seem to have the same impact as it should.  Here, it just seems to be fucking with Jon for the sake of it, rather than subtly warning him about his future at the Wall.  We can still definitely class it as more #Wallforeshadowing, which is now getting ridiculous.  Let's hope it's over.

Well, this is heartwarming #ohshit 

We then head back to Stannis and are treated to a whole scene with Shireen, dedicated to both explaining her greyscale (because, if greyscale isn't said at least once an episode, we'll all forget what it is and be totally confused when someone important inevitably contracts it) and setting up the father-daughter bond between Stannis and Shireen because it never existed before but I'm sure that's nothing bad --

"You are Princess Shireen of House Baratheon and you are my daughter."

Shock horror,  more #Wallforeshadowing

Unnecessary callbacks are unnecessary

Then, we see Sansa lighting candles in Winterfell's crypt and finding the feather that Robert left for Lyanna back in Season One because Season One made us all so happy so why wouldn't we enjoy this throwback?

Creepy Littlefinger comes to get her and tell her the story of Lyanna and Rheagar at the Harrenhal tourney.  Seriously?  LITTLEFINGER?  HE gets to tell this story?  This is the first time Unsullied viewers are hearing this in full and it's Littlefinger and his ever-changing accent that we have to hear this from?  Telling the story because he saw the statue of Lyanna and just felt like telling Sansa one random story from her life?

If I try, really, really, really hard, I can almost understand what they were going for here: trying to draw parallels between Sansa and Lyanna by telling the story in full and by showing that Littlefinger has essentially 'kidnapped' Sansa like Lyanna was 'taken' by Rheagar.  Maybe the writers think that having Sansa's kidnapper tell the story makes this connection more obvious.  To me, it's just horrifically painful to hear such an important and historic story come out of creepy Littlefinger's creepy mouth.
*deep breath*  I can't talk any more about it.

Sansa notices that Littlefinger is dressed for riding and it turns out that Cersei has sent for him so he has to go to King's Landing.  Sansa, understandably doesn't want him to go and leave her with the Boltons but he tells her not to worry because he totally has a plan.  Don't worry, guys, there's a plan and it's bound to be genius because Littlefinger is all about the game of thrones and seems to be mint at playing it.
So, basically, his big theory is that, after having rallied the Northern Lords behind him, Stannis will take Winterfell and name Sansa Wardeness of the North.  And, in case you're worried, just CHILL OUT because there's a back up plan.  If Stannis loses, Sansa will "take this Ramsay and make him" hers.  When Sansa admits that she can't do that, she's told that Ramsay's already fallen for her.  When she says that Roose scares her, she's informed that, "even the most dangerous men can be outmanoeuvred" and she's "learned to manoeuvre from the very best".

Oooh, she's learned from the best, guys.  Must be Balon.  Sansa's been getting secret lessons from Balon, who's basically won the war of the five kings at this point, clearly outmanoeuvring all of Westeros.

BY GOD I HATE YOU BAELISH

My bad.  He was OBVIOUSLY talking about himself.  You know, the guy who plotted for years, doing lots of 'manoeuvring' so he could build an empire of brothels, become Master of Coin, get a high enough standing to gain Harrenhal, marry Lysa and get control of the Vale and Sweetrobin and, seemingly ultimately, kidnap Sansa.  Except that he's rapidly losing all of his brothels to the Sparrow takeover, gave up his title and place on the Small Council for little to no reason, isn't using Harrenhal, killed Lysa, abandoned the Vale, left Robert Arryn being babysat and gave Sansa away to a family of flaying maniacs.  #winning

He awkwardly kisses her on the mouth, which is sufficiently gross, and tells her the North will be hers.  All of this is super comforting to Sansa, who is definitely still in control of the situation and is "a hardened woman, making a choice" and isn't just a little girl, left abandoned at her ancestral home with a bunch of crazy murderers.

Just in time for some comic relief, we go to see more of The Adventures of Bronn and Jaime™, who have managed to make it to shore, have a sleep, cook themselves up a good snake breakfast and have a weird conversation about how they want to die (where Bronn, yet again, insinuates he knows about Cersei because #wiseBronn) before they're interrupted by the Dornish.

There's a fight, which I suppose is meant to be truly exciting but is just a bit... meh.  Bronn and Jaime inevitably win, Jaime only just avoiding death because of his golden hand, and all the Dornish and half of one of their horses are dead.  Jaime says that he wants to bury the bodies and Bronn is all "no way" but then does it anyway because Jaime can't dig with his hand.
#lol?

Still in Dorne, we head to the Sand Snakes and Ellaria, announcing that they must avenge Oberyn themselves and the way to do that is not with an army, but through Myrcella.   One of the Snakes reveals that they "may have a problem," and proves this by whipping the bucket off the head of a ship captain who's confessed to bringing Jaime Lannister to Dorne, which could deffo be bad news for the snakes.  Okay.  Hang fire there.  I have questions.

HAHAHAHAHAHHAAAAA

Why did the Snakes take the time to dig a huge, man-sized hole in the ground , put the guy in it, fill it in up to his neck, put some scorpions on his face, then add a bucket on top?
When did they put the scorpions in?  Before they'd got the information out of the captain about Jaime, to torture him into telling them?  How did they hear his confession then?  Or did they take it off to hear his confession, then put it back on, along with the scorpions?  Or did they put the scorpions in afterwards?  As a punishment for bringing Jaime to Dorne?

#thelogiccontinues

No matter what the answers to my questions are, the whole situation is so ridiculous that it's hilarious and I can already tell how FUN Dorne is going to be this season.

Anyway, they all have to choose between Doran's way (and peace) or Ellaria's way (and war).  Unsurprisingly, they all choose war and to agree to what is essentially a plot to kill an innocent hostage.

Obara confirms her choice by telling the story of Oberyn coming to get her from her mother and throwing a spear through the innocent captain's head, which is easier than digging him up again, I suppose.  Also, WAR.

Then, we cut to Tyrion, causing some megalolz by talking and singing through his gag.   Yeah, bloody SINGING.  #wackyTyrion #whatishelike?

Anyway, Jorah reluctantly removes the gag and Tyrion figures out he's not, as he thought, being taken to Cersei; he's going to Dany, where he was heading anyway.  MORE LOLZ FOR IRONIC PLOT TWISTS.
When Jorah silently refuses to untie Tyrion, his super smart eyes wander around the boat and pick up on the laziest, most obvious clues to Jorah's identity ever and it's made out that he's SO CLEVER for deducing that his captor is Jorah Mormont (he sees his sigil, ffs).
He also, inexplicably, figures out Jorah's entire motive for the kidnapping and calls it a "risky scheme."  Maybe he's been taking lessons in Knowing Shit You Really Shouldn't along with Bronn.
Anyway, all this smart-arsed-ness leads Jorah to punch him in the face.  Phew.  Thank God this scene is over because my body cannot handle any more laughing.

Off to Mereen!  Oh, Barristan is just perfection.  His lovely little speech about his relationship with Rheagar and how he would sing for the commonfolk is totally wasted on Dany, Miss I-have-one-emotion.  In fact, it's such a wonderful moment, it almost makes you wonder if something bad will--
Nahh, I'm just being daft.  I'm sure it's all hunky-dory.  I mean, it's not like we're AT THE WALL #amirite?

Anyway, Daario announces that Hizdar is here and Dany leaves Ser Barristan, asking him to "sing a song" for her.  There's even a little chuckle from Barristan.  Nope.  Nothing wrong here.  No #foreshadowing to be found.  No momentary glimpse of sheer joy before a heartbreaking tragedy.

Instead, we just get Hizdar giving yet another speech about fighting pits and, during his speech about the traditions of Mereen, and them holding the city together, we see clips of the Sons of the Harpy gearing up for  big attack.  We then see the attacks on a market, some sort of pub and a brothel.  The Unsullied overhear the murders and rush to intervene but - oh no! - the prostitute who set up the Unsullied guy way back in episode one sets them all up again.

BIG FIGHT SCENE ALERT.  Honestly, guys, I struggle with fight scenes so I'm just going to leave you with my basic notes whilst I watched it all unfold, with a few minor details expanded on and a few scrawled words turned into full sentences:

Okay.  The Unsullied are slightly outnumbered.  No biggie.  They got this.  They're the best trained fighters in the world.  Oh shit.  They're very outnumbered all of a sudden.  It's a much bigger fight than I realised.  It's one of those where you don't know which side is winning.  Handily, an Unsullied soldier's helmet is knocked off so we can see it's Grey Worm under there, otherwise we wouldn't have had any sympathy for the soldier at all because he would've been no one.  Thank God he's a major character - that's really drawn me into this scene.  MORE FIGHTING.
A bell starts ringing; I'm unsure why.  Is there a dedicated Sons of the Harpy attack bell in Mereen?  Whatever it is, it signals BatBarristan, who rushes to help BECAUSE HE'S A FUCKING HERO.

<3

Grey Worm is stabbed but carries on until he is surrounded.  Luckily, Barristan arrives and distracts all the Sons to specifically attack him, albeit one at a time.  Barristan's got this, easy.  The swelling music in the background means nothing.
SHIT.  Man down!  Barristan... Noooooooooo

There's a slow zoom out over the bodies whilst the bells ring in the background.

I cannot cope.  I am so done.

You can actually pinpoint the moment when my heart rips in half </3

High Point

The four seconds when Jaime looked at Tarth and we saw his soul.

Low Points

The complete lack of logic from both Cersei and Littlfinger

Dorne

Weird warning bells for Sons of the Harpy attacks

Lowest of the Low Point

Barristan's death

I'm not really able to say much more.

Stay tuned for episode five.

My heartbreak-fuelled anger is only just beginning.

Season Five, Episode Three

Oops!  My bad!
*hangs head in shame*

I can only apologise for my absence, yet again.  My charger exploded at just the right time, when I was ready to type up, so my laptop was out of action for a while.
I basically drank a whole bottle of white wine the night I watched this episodes and made the notes so there is definitely more of an 'angry vibe' than normal, if you can believe that.

Enjoy!

We open on a load of dusty old statues and I genuinely have no idea where we are. My notes on this introductory scene read like Ulysses, probably due already being on glass two.
I won't put you through all that but here's the two best notes (I genuinely wrote these down):

"OMG was that a lion?"
"SHIT I swear I just saw Aku Aku"

(see image if you weren't around in the 90s)

Then the camera pans out and I realise we're in The House of Black and White and we're just watching Arya sweep. There's some mysterious talk with Jaqen about gods but otherwise this is basically three slow minutes of nothing. As boring as this may be to watch, I feel it's a solid introduction to what will have to be a looooong storyline. This goes on for chapters and chapters in the books so I'm actually quite glad that we'll get to see how dull this part of Arya's story is.

Next, we're off to Kings' Landing and Cersei being carried through the streets. The crowds seem very happy with the royal family, weirdly enough. Admittedly, they're not shouting for Cersei - it's mainly for Margaery but there are a few shouts for Tommen, too.

This is strange because there was dissent amongst the commoners leading up to the Sparrows' revolution (in the books, obv, this detail has been skipped over for the TV show), leading to people shouting that Tommen and Joffrey were products of incest and abominations to the gods. There were riots, where things were thrown at the King! Ah well. They're obviously all over it and the Sparrows are just a few random extremists, rather than a group that gains followers due to the logic of what they're preaching and the lack of anything else to believe in.

OMG MEANWHILE

Tommen and Margaery have just casually got married! I didn't even realise this was happening - there's been no build up to this at all; besides the standard dirty looks between Margaery and Cersei, there's been no reminders that the wedding is imminent so it feels like it's come out of nowhere. The ceremony is really quick too, obviously because they want the episode to focus on the reception, oh excuse me, the bedding ceremony, oh nope. Just the wedding night. That's all they wanted. Sigh.

This is really twisted. Yes, Tommen's been aged up (if we believe GOT, Tommen was 8 in Season 1 so, by Season 5, he should be 12 which they've now gone back on, making him 18) but he's still young. The book was weird enough - a 16 year old girl getting married for the third time to a 9 year old king - but there's no sex because they don't even sleep in the same room (hence how Cersei manages to have a whole subplot about bringing Margaery down because she could pretend men were sneaking into her room). Margeary's virginity is a running joke because she never actually officially loses it, despite being married three times. Ageing Tommen up and physically seeing the wedding night just feels... Icky. Especially because the actor playing Tommen was never told how old his character was and so assumed he was 'about 12'. Not okay.

It's also a little disappointing because, even though I'm not a Margaery fan, nor am I convinced that she is as bad as Cersei's warped mind thinks, I can't help but feel that she is capable of being so much more conniving than this with much less effort. She doesn't have to use sex as a weapon to get what she wants from Tommen. In the books, all she and Loras do is pay him attention and befriend him and he loves them because he doesn't get this anywhere else...

Anyway, regardless of how I feel about it, Margaery is all sly and persuades Tommen to send Cersei back to Casterly Rock without coming out and saying it directly because sly.

Then, we cut to Cersei, which is weird because we were legit just talking about her.
A solid return to #smoothsegues
She and Tommen are just having a wander on the roof because that's obv what you do the day after your wedding night.

Cersei immediately understands what Margaery is doing (it's not paranoia- we've seen her plot this ourselves and so it's now a true fact that Margaery wants rid of Cersei and isn't even trying to be discreet about it) so she decides to swallow her pride and go and see her. As she arrives, we get to hear a disturbing conversation about Tommen sex and I hate it and it's weird and it's not what one would expect of a virginal queen....

Margaery puts in some real punches in this scene: calling Cersei 'Mother' and making a sterling dig at her alcoholism that almost makes me like her a bit. Cersei sucks it up and is actually nice to her in return but bloody hell Margaery is on one and now wants to know whether Cersei is Dowager Queen or Queen Mother.

Right. I know you're insulting her and everything and you don't really want to know the answer but... This is a stupid question, Margaery. STUPID. If you are making a reference to the fact that Cersei can no longer be Queen Regent (in charge of Tommen's decisions), Cersei has never been Regent in the show. Tommen has been aged up so much that he doesn't need a Regent. Even if he WAS still youngand DID need a Regent, marrying would make no difference whatsoever. The King would still be too young and would nominate his Regent.
Kevan openly called her Queen Mother last episode and, as sly as Margaery is being right now, she's not stupid, nor is she this unobservant. Bitch should KNOW she's Queen Mother and stop pretending she's being polite because she's not. She's being a dick and everyone here knows it.

Then we jump off to...
Okay I'm guessing North. I want to say the North.... It's grey and misty...
We're in the North, right?
Oh hang on, I've seen Reek. NORTH.
Ooh and a flayed man DING DING DING deffo in the North.

So. Winterfell and the Boltons for the first time in Season Five. Let's do this. The writers seem to love Ramsay; they write him into everyone's storylines and he's all powerful and mental and stuff so I'm sure this episode is about to get a whole load more exciting.

Aaaaand it's Roose and Ramsay eating at a table, discussing the realm and power and flaying and being evil and that. Then Roose tells Ramsay to stop eating (gasp! Important news ahead!) because the Lannisters will not send men all the way up to WInterfell to protect them should anything go wrong and that should worry Ramsay because they don't have enough men.

Watch this space.

Interesting and logical quote about the Bolton army, strength and general lack of manpower there, Roose.

It would be a shame if the writers we were to...

Ignore it.

And pretend it'd ever been said.

Anyway, we get to the crux of Roose's argument/speech/monologue:
"I've found the perfect girl to solidify our hold on the North".

I wonder who-
Never mind. #smoothsegues

"What happened to our carriage?"

Anyway, Sansa asks Littlefinger where she's being taken because she's unfortunately IN the show, which means she doesn't get to see the handy #smoothsegues which spell out the story for us all.
Littlefinger tells her she's going home to Winterfell and, when Sansa is horrified (because, you know, Roose kind of MURDERED her brother), reminds her that she's a Stark and that "dying your hair doesn't change that".

Sigh.


Okay. Here's the thing, Peter.
As well you bloody know, Sansa inherited her lovely auburn hair that you drool over from Catelyn. Catelyn, the Tully girl. You remember her? You were obsessed with her, yeah? So much so that you think you took her virginity (you actually took Lysa's but that's neither here nor there rn). So Cat = TULLY. The Starks all have very dark hair. By making Sansa dye her hair black, yes, you make her look less like Sansa but you actually take away the thing that distances her from being a Stark. You make her look more like a Stark by dying it black, do you see? So, your line really should have been "You are still SANSA Stark and dying your hair doesn't change that", with the emphasis on Sansa. Because emphasising Stark makes no sense if she has dark hair LIKE ALL THE BLOODY STARKS YOU PLANK.

Get it together, Baelish.

Then, there's yet another similarly, stunningly ridiculous speech because Littelfinger's on a roll with them now. His focus is all on revenge, sort of making it seem like Sansa has a choice here and that marrying Ramsay Bolton is the right choice. Oh yeah, Sansa has all the power in this scenario. Most other people in the realm think she's dead, she's wanted in connection with her husband committing regicide, she has no one else to protect her other than Littlefinger...
But this is irrelevant because Sansa CHOOSES to get married to an evil, flaying Bolton man in her childhood home, hanging around all those memories of her entire dead family with the very people responsible for their murders. WHO WOULDN'T?

So Sansa "makes-all-her-own-decisions-as-an-independent-woman" Stark and Littlefinger head off to Moat Cailin and our camera finds its way to Brienne and Pod, a mere stone's throw away, having a chat about how they're going to follow the gang through Moat Cailin, the impassable key to the North, without being seen.

Brienne: "We go around."

Give me strength.

I can't even deal with that.

 Let's move on to their next conversation -- equally as strange -- with Brienne promising Pod that she'll teach him how to fight and ride a horse, things a squire really should have a handle on by now. Then the painful absence of Ser Hyle Hunt is too real. Brienne telling her life story without him there awkwardly trying to make amends is far less enjoyable. Instead, she basically looks straight into the camera and shouts that she was bullied for being different her entire life until Renly accepted her for who she was. Then more weirdness is thrown into this very one sided discussion because, in contrast to her denial about it to Jaime in an earlier season, Brienne decides to openly state that Renly liked men because it's obvious. I mean, it was written so obviously, not as a subtle nuance to be picked up only from a close reading; no, it was basically yelled to the audience and to the whole kingdom. Everyone knew he DEFINITELY was gay. Yeah, that all sounds bob on m8.

Finally, Brienne drops so many serious foreshadowing clangers, I start to wonder if they've transported around Moat Cailin to The Wall of Foreshadowing.

"Nothing's more hateful than failing to protect the one you love" is obvious enough but, just in case you didn't get it...

"Stannis is a man, not a shadow. A man can be killed."*
*Brienne is a proud spokeswoman for Inevitable Revenge.

Sooo... Where to next? I wonder who we'll see.
JUST KIDDING
#smoothsegues

I mean.  To be fair...
Just look at him there, all alive and that.

You can see Brienne's frustration. How dare he be alive after the story that she just told about him taking the lovely Renly away from her.

If only, one day, some day soon, Brienne could maybe get her revenge for Super Openly Gay to Everyone Renly's murder.
*cough*

So, if you hadn't gathered from all this foreshadowing, we're at the Wall. Stannis is asking Jon for a word alone but he is obviously refused because Olly must stay in the room. You know, the stranger kid that hasn't given you any reason to trust him at all.

Anyway, the kid stays and Jon stands firm in his refusal of Stannis' offer to make him a Stark, his honour leading Stannis to compare him to Ned

Then Stannis, presumably breaking the fourth wall and winking whilst he points at Jon, announces,

"HONOUR GETS EVERYONE KILLED".

Oh, The Wall.  Never fails to give us plot points from the rest of the season.  

Anyway, there's a real worry about survival because of the lack of food, but Stannis assures Jon that his lot will be leaving in 2 weeks to march on Winterfell before the snow hits.  He advises Jon to kill all the wildlings and asks if the other men of the Night's Watch would rather see them dead, which they all totally would (we get a good shot of Olly looking mad to prove it so it must be true).  Stannis, in his role as helpful king who gives out all the advice, also warns Jon about Alliser Thorne.

Ye Olde Wise Stannis says that Alliser will be better off at Eastwatch, far away from Jon.  We get this amusing little exchange ->
then Stannis promptly legs it

Then it's Davos' turn to be knowledgeable and fatherly (*sob*) and generally brilliant to Jon, getting Olly to actually do something helpful and recite the vows that he probably doesn't need to know off by heart just yet and repeating the bit where the men of the Night's Watch are the "shield that guards the realms of men".  

He warns that, as long as the Boltons rule the North, the North will suffer and appeals to Jon to do something about it because the consequences if he doesn't will affect the realm.

Then we go to Arya because NORTHERNERS (#nottheirsmoothestsegue) and we see more of nothing, up until an unnecessary use of the C-word, which is fun.
Jaqen comes in and reminds me that he says Arya really weirdly, like "I-YAH", which, because I'm a child, makes me want to see this:

And this is super difficult to get out of your head once it's there.  Very off-putting.

Anyway, she's obviously someone because she has all this stuff, so Jaqen convinces I-yah! to dump everything from her past, except Needle.

I really enjoyed this bit and I honestly, for once, don't have much to say.

(I know, right?)


Let's just enjoy this moment of peace together; it's definitely fleeting.


She then heads back to sweeping. WOO!

There are lots of filler scenes for I-yah! this episode, which is good and bad. Good because I did say earlier that I wanted the 'nothingness' of her chapters to come across. Bad because it's irritating to see airtime wasted on not very much happening. If they cooled their jets, they could show her once an episode, doing a bitta sweeping and having her name karate chopped at her (still seeing those toddlers <3) OR even have left her behind the closed doors of The House of Black and White for a whole season to have her training privately (did someone say Bran? Why, yes, you're right, it would be a lovely parallel) and use the leftover time to help other storylines catch up a bit.

WHERE THE FUCK IS HE?


HOW LONG HAS HE BEEN ON THE DODGY ROPE BRIDGE?

Meanwhile, I swear to God, we're still at The House of Black and White. Seriously?

Apparently, the staff there have also noticed how long I-yah! has spent sweeping because they're fed up of it too.  Jaqen promotes her to washing bodies and, although I'm glad to see the end of her sweeping, I'm upset they're speeding through her story and confused as to how this random girl who, mere minutes ago, couldn't get the hang of lying suddenly deserves a promotion.

THANK GOD WE'VE LEFT THE HOUSE OF BLACK AND WHITE
We're at gates, which is super exciting.  We must be at Moat Cailin already.

Oh. No.  Hang on.  It's Winterfell.
Wow.  Littlefinger's powers of teleportation are incredible.

We see a super awkward meeting between the Boltons and Sansa and, when Ramsay meets her eye, the camera slowly pans around to show Olly 

Oh. Sorry.  Force of habit.

So, who has it panned to?  Tbf, Olly wasn't a bad guess.  It's another new character who wasn't present in the original story whatsoever.
Nice one.

I do hope these random new characters don't fuck up the story just because they can.

Oh also, before we move on some old lady tells Sansa that the North remembers because that's helpful.

NORTHERNERS, amiright? #muchsmoothersegues

Up at the Wall, Jon is overseeing his first meeting as Lord Commander.  Aemon isn't there because he's ill (*cough* obvious foreshadowing at The Wall is obvious *cough*) but everyone else is there to watch Jon dole out the lovely job of Latrine Officer.  There's a lingering shot of Alliser Thorne but, in the end, Jon decides to go against Stannis' advice and instead makes him First Ranger.  He does decide to punish someone, though, and so forces Janos Slynt into taking command of Greyguard ("a ruin") instead and, understandably, he ain't a happy bunny.

OMG THERE'S A SHOT OF OLLY REACTING
Phew.  Thank God I got to see this super important character's point of view.
I wondered how he felt.

Jon reiterates that this a "command, not an offer" but Janos is sticking to his guns and having none of it.  Oop.  We get yet another reaction shot of Olly for some bizarre reason.
Anyway, Janos is taken outside to be executed and it's roughly following the book story, which is good news.  All Jon has to do is ask Edd to fetch him a block and we're on the straight and narrow and actually being delivered a books scene for once.  Glorious.

"Olly.  Bring me my sword"

I despair.

We see Stannis looking on as Janos is brought to the blocks THAT APPARENTLY GOT THERE BY THEMSELVES. *deep breath*
Janos is not about dignity at all. He gives no shits as he sobs and apologises and pleads for mercy but Jon does not care and Jonas is dead.
Justice. Honour. Etc.
I'm fairly certain Stannis just gave the nod of approval for that beheading.

And now, for some comic relief, we get to see the High Septon in a whorehouse with 'Olyvar' (what a busy man, so many different jobs to juggle) until... 

SPARROWS ATTACK

5 points to you if you know these are Spearows, not Sparrows

Seemingly immediately after his naked walk through the streets, the High Septon heads to see Cersei because he wants justice: the Spearows Sparrows responsible arrested and the High Sparrow executed.  Cersei takes this all on board and goes to see the High Sparrow himself but not before giving Trant a line for the first time in a while to remind that he's still a person and he's not very nice and he probably deserves all the bad things coming to him (more foreshadowing not at the wall, we are being treated today).

She meets the hero that is the High Sparrow and tells him she's placed the High Septon in the dungeon and there's more than a hint towards him being replaced by this homeless person feeding, shoe giver-awayer and all round good guy.  What could go wrong?

Cut to Qyburn!
(Oh shit, I think I just set up my own #smoothsegue)

Cersei barges into his dungeon and tells him to send a message to Littlefinger at, and I quote, "the Eeyrie or wherever he's slithering about".  Right.
Didn't Littlefinger, when he left Robert Robin, lie to those in the Vale about where he was going?  Didn't he make it clear in Episode One that he doesn't trust anyone, even the serving girls and stable boys? How on Earth does he expect his messages from King's Landing to reach him?

He really should have left a forwarding address.

Cersei, however, is obvious oblivious to this conundrum and ominously reminds Qyburn to ensure "Littlefinger is clear on the meaning of the word immediately".

He deffo is Cersei. You should see how he travels across the realm. Unreal.

NO TIME FOR SMOOTH SEGUES FOR WE MUST TO WINTERFELL
Sigh.

Reek is avoiding Sansa, who's just having a wander and remembering all the good times probs. There's all sorts of creepiness with Littlefinger (as usual) as he tells Ramsay he's become "quite fond of Sansa".

Ew.

Ramsay replies "I'll never hurt her.  You have my word," and nothing is ominous because Good Guy Ramsay is a good guy.

Then he toddles off, presumably to skip through daisies or help an elderly woman cross the street, and leaves Roose alone with Littlefinger.  Littlefinger assures Roose that Sansa is a virgin because Tyrion never consummated the marriage.
Omg.  Littlefinger said a true.  Well done, pal.

"by the law of the land, she is no man's wife"

Ohhhhhh dear.
No.
I can't.
This.
NO.

They continue as if this makes sense, which is hilarious in itself, and there's some talk of the Lannisters and the "Queen Mother" (see, Margaery, you utter bitch) and then Roose drops the bombshell that he has a message from his rider from the Eeyrie and I can but assume...

Such travel. Many speed. So teleport.

Littelfinger manages to convince Roose that nothing dodgy is going on honest I swear and he lets it go, but only if he can read the response Baelish sends Cersei.

Oh thank God we leave Winterfell.
Of course, we head to see Tyrion because would it be an episode of Game of Thrones without him?

Varys says he has to stay in the travelling carriage but Tyrion's all 'fuck Varys I do what I want' and hops out.  There's some solid back stories* about the slaves and their tattoos** being laid down as they wander through the busy market.
*everyone loves back stories
**speaking of back stories*, after last episode's revelations, should Daario have a face tattoo also?

There's some more mentions of greyscale and stonemen because they're trying to stop the insane idea that only the Wall can foreshadow stuff. MEAN. Everywhere can.
Obviously Tyrion just wants a brothel because classic Tyrion.  There's a whore there dressed exactly like Dany which, okay, they'll have heard descriptions of her looks but seriously, her braids and exact dress style?  Then the camera pans to another new pretend character...
Holy shit, it's Jorah!  An actual character! YAAAAAY

My joy is shortlived, however, because we now see one of the most ridiculous scenes yet.  Tyrion speaks to a prostitute who is sad because no one's having sex with her.  This would make sense if she was annoyed about having no business and the money aspect, but she doesn't seem to be.  It seems like she's actually basing her self esteem and happiness on the pleasure that she gets from being forced to have sex with men for money.  Regardless, Tyrion makes her laugh because she's not dead inside and says "if I could pick any girl here, it would be you," which would be flattering if he was talking to a woman he wanted to date, not pay for sex.  The whore doesn't pick up on this though, and is genuinely touched and surprised and wants to know why.  How could an desperate, sexually frustrated, ugly dwarf with mis-matching eyes and no nose a bit of a scarred face want to have sex with anything  any prostitute  her.  Her?  An attractive young woman who has to have sex with him if he asks and will definitely pretend to be into it.  The mind boggles at the very thought.  Tyrion claims she has a "skeptical mind" and so the unnamed prostitute basically offers to give away sex.  
The prostitute offers to give away sex because Tyrion spoke to her.
It's all so problematic and trying to make Tyrion seem like an even better person that I can't...
I can't even begin to...

SHE BEGS HIM.
But he can't.
He can't because... He's such a saint with such a strong moral compass.  He's a good guy.  In Game of Thrones there are no grey areas.  Tyrion is only good.

Who is this and where is Tyrion?

Thankfully, he brings the conversation to an end and wanders off for a wee when, suddenly, Jorah (who brought his travel rope and gag to the brothel where there's a whore dressed like Dany - try not to think about that) kidnaps him!

"I'm taking you to the queen"

And we're done.
Phew.
That one was a long time in the making.
Apologies again.


High point:
Needle being hidden.  That's it.

Low point:
The exchange between Tyrion and the prostitute makes me sad.

Going to aim to have caught up with episode four this weekend so I can post episode five next week.
I've got to keep going if I want all of season five finished before season six!

Stay with me please.
I'll try harder I swear.

Big Love
Moaner x

Just a Quickie

Just to remind you... I am still here.

I've just rewatched episode three and the blog post should be up tomorrow night!

Also, so you know, I accidentally drank an entire bottle of wine whilst watching so you know my notes will be honest (as if that was ever a concern before).

If you're ever confused and wanting updates as to where I am, then just go find me on Twitter and you'll hear my pathetic excuses for lack of blog posts on there!!

Apologies (again..) for the delay and Episode 3's review is in the works!
See you tomorrow!!

#tryingtofindappropriatememesafterwine#unsuccessful